----* Records of the Week :
CLOUDLAND CANYON Fin Eaves (Holy Mountain) cd 13.98
Cloudland Canyon always seemed like some impossible classic krautrock / noise rock hybrid, their records equal parts German Oak, Faust, Amon Duul, My Bloody Valentine and the Dead C, a washed out sonic world of gritty hypnotic haze, of lumbering psychedelic grooves, of twisted FX drenched drift and looped druggy ambience, as likely to explode into a super rocking fuzzed out dronejam as they were to emit thick billowing clouds of swirling blurred psychdrone shimmer, but always, at the core of their sound was pop. Little hooks buried in the murk and the mire, catchiness subtly woven into the fabric of every bit of spaced out crush or raga-like skree, the thread that held their sound together was spun from melody and harmony, no matter how much those elemental forces were obscured.
Recently CC shared a split with Citay, both bands paying homage to fuzzy dream poppers Galaxie 500, CC's version was especially fantastic, drugged out and hypnotic, somehow transforming the original into what could have been a proper Cloudland Canyon jam, and in the process, revealing, more explicitly than ever, the warm glowing pop heart, that beat inside the buzzing, lysergic krautrock chest of Cloudland Canyon. Which it seems, lead to this, Fin Eaves, a fully realized exploration of pop music, filtered through CC's gloriously cracked kraut/drone/noise filter, the result, one of the fuzziest, most washed out, dreamiest noise pop / dream pop records in recent memory.
Every track a swirling morass of druggy effects, of muted melodies, of buried reverbed vox, of subverted jangle, muddy grooves, subtle hooks, a soft focus collision between My Bloody Valentine, Teenage Filmstars and Galaxie 500, a three way pileup where the various elements simply sink into one another, blurring and smearing into fantastically new shapes, a little bit of looped hypnotic Spacemen 3 style drug rock here, a little super distorted minimal Jesus and Mary Chain stomp there, slipping seamlessly from gauzy soft pop shuffle, to dense crumbling popnoise damage, to hushed loping slowcore haze, to soaring prismatic space psych bliss, each and every track is dense and spacious and layered, the various sounds constantly shifting, transforming, pealing melodies sloughing off only to reveal even more subtle melodies beneath, streaks of electronic glitch and clouds of warm whirling hiss drift amidst deep thrummed bass, and simple motorik rhythms, gorgeously out of focus vocal harmonies, and all manner of texture and timbre, a rare record as much about song as sound, strip away the sound, and you'd have a surprisingly perfect pop record, take away the songs, and you'd still have some fantastically abstract sonic earcandy, but combine the two, and you have this, an utterly gorgeous disc of otherworldly noise drenched lysergic dream pop. Fans of Teenage Filmstars, Beach House, Jesus & Mary Chain, Flaming Lips, Galaxie 500, Spacemen 3, Candy Claws, Mercury Rev, School Of The Seven Bells, and other psychedelic dream poppers, this is your new favorite record.